Book Review: ‘Eleanor Oliphant is Completely Fine’ by Gale Honeyman.

I should tell you now, this is not a balanced review.

Only the other week, I was telling you I hadn’t found a new favourite book in a whole year and that I hoped 2018 would bring something wonderful. Here we are, not even a month in and I’ve met Eleanor Oliphant, a stoically sensible, socially inept woman disrupting her careful routine and embracing new experiences for the first time in ten years.

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It was published back in May (on my birthday – is it fate?) yet it still feels very new and is everywhere in the media, due to recently winning the Costa First Novel Award. The novel already feels timeless so I’m sure there are many more awards to come.

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November & December Reads (2017).

I’d like to say I didn’t read any new books or write any new blog posts in November because I was busy with NaNoWriMo, but that would be a lie. The truth is, I got a puppy whom I wanted to cuddle all the time, and I was just feeling a bit lazy.

Click here to follow Pepper the sausage dog puppy on Instagram!

I re-read lots of books in November, though!

Girl Up by Laura Bates – This is a great introduction to feminism for teenagers and adults alike. It is primarily aimed at girls navigating puberty but anyone can read it; it’s highly accessible and very funny (though rage-inducing at times).

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My Goodreads Year in Books 2017.

Happy New Year!

I love this thing Goodreads do at the end of each year. If you’re not on Goodreads, it’s basically social media for book-lovers, and although it leaves a lot to be desired, it’s a great tool for blogging because you can easily log each book as you finish it. You can also use it to collate the books you want to read (although that doesn’t really work for me) and they do this awesome ‘Year in Books’ tool each year to show what your reading habits have been like for the past 365 days.

I didn’t do a reading challenge this year – I felt it affected my enjoyment of books in 2016. I read 100 books in 2016 but only 37 this year – however I felt a lot less stressed about it! I think this is a fairly accurate representation of my reading habits in general, as I seem to remember it being around that number in 2015 as well.

The shortest book I read in 2017 was Hunger by Susan Hill, a creepy story that wasn’t quite up to scratch for me, not when I’ve come to expect so much from Hill. The longest was Stephen King’s Pet Sematary, which was nothing special either.

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Books I’ve Abandoned.

However guilty we feel, however much we try to stick it out, we’ve all encountered books that we just can’t get through. Here’s a few of the books that I had high hopes for but eventually abandoned, and why.


Carry On by Rainbow Rowell.

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Eurgh. I go into more detail in my most recent de-clutter post, but basically I friggin’ hate this book. It’s a bad Harry Potter knock-off masquerading as a homage, it’s a highly disappointing read if you loved Fangirl and it’s STOOPID.

(Ha. I just went to check the link to the de-clutter post and I also started off with ‘Eurgh’ then.)


When God Was a Rabbit by Sarah Winman.

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October Reads 2017: A Month of Scary Stories

Sort of half intentionally and half unintentionally, all the books I read this October were Halloween-worthy. I started out with the idea of finally tackling my Stephen King TBR List and it spiralled from there.

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I first read The Dark Half,  a novel about Thad Beaumont, a literary novelist, and his much more successful penname George Stark, who is “not a very nice guy”. When Thad tries to lay George to rest, George takes on human form and begins murdering all the people in Thad’s life who were involved in both creating and killing George.

This actually read more like a crime novel than a horror, and I can’t say I was frightened at any point. If you’re into serial killer novels with a bit of gore, this might be the one for you, but I wasn’t excited by it. There were good moments but I’m unlikely to ever re-read it.

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Theatre Review: School of Rock

STICK IT TO THE MAN!… is not the feeling you get coming out of the New London Theatre after seeing School of Rock. You come out with a smile, and the simultaneously peaceful yet adrenaline-filled feeling that can only come from seeing a show. But let’s face it – Andrew Lloyd Webber cannot write rock musicals. The rock band No Vacancy is cringe-worthy, but not on purpose – it’s hard to believe that Lloyd Webber has ever listened to a rock song in his life.

It’s a completely different genre to the film, without its charm and with slightly different, less subtle humour. The whole thing feels very watered down and kiddy-fied, without the edginess that made the film so great.

In fact, considering this show is based on a film with somewhat cult status, it doesn’t celebrate that film much. Some great lines were cut (personally I was disappointed that they didn’t use ‘Miss Mullins? You’re the man.’ ‘Thank you, Freddy.’) whereas some scenes, such as Dewey’s song about Math which Miss Mullins observes, translate perfectly from screen to stage.

Miss Mullins is the best of the adults, with the most intriguing story. Her song Where Did the Rock Go? brings a smile to the face of any music-lover and is relatable for practically any adult, whether you are into music or not. She really means ‘where did the real me go?’ and in this world of work, bills and not much else, it’s one of the more meaningful songs in the show. This is where Lloyd Webber shines: emotional songs that showcase the lyrics and make you just sit and listen.

Of course, the stars of the show are the kids. The kids are amazing, playing all their own instruments as well as any adult. Singing voices are always hit-and-miss with kids in musicals but when they all sing together their harmonies are perfect, and of course there are Tamika’s solos. Her story was delved into a lot more than it was in the film, but I was disappointed that she was a tiny little thing without the body issues from the film. Dewey does his speech about a big lady up on stage who makes everyone listen, but he addresses the whole class rather than one lonely, overweight kid.

I was moved by the kids’ performance of If Only You Would Listen and especially loved Tamika’s reprise later in the show. Her lines to Dewey about how he raised up her voice are the essence of both the film and the show – how Dewey, however irresponsible, is the only adult who really understands the kids and encourages them to think for themselves and do what they want to do.

The show has a lot of problems but I came out smiling and I thought about it a lot the next day. I wish there had been more lines for the adults: I loved Dewey’s line to the kids after he collapses on the floor: ‘Don’t look at me when I’m down! It’s like Lord of the Flies!’ and wish there had been more moments like that, because that’s part of the appeal of the film – it celebrates the energy of a child but in no way is it aimed at children.

Because of this, the show doesn’t really know its audience, a problem persistent in both the dialogue and the songs. Some of Dewey’s lines are a little inappropriate in front of the kids, but some are too appropriate for kids, such as when he repeats Summer’s lines in a mocking tone. The music is confused at times, with rockier (ish) songs throughout and then the odd operatic, prim and proper song from the teachers. I can see what they were trying to do but the juxtaposition didn’t work for me – it just felt weird.

It sounds like I didn’t like the show at all but I actually really enjoyed it. I was on my own in the theatre for the first time, which was an experience in itself (got lost on the way to the theatre, obviously) and it was soured a little by the restricted view but at the same time I was extremely close to the action. At the end, before the final song, Dewey lets you know that now is the time to take pictures, which I appreciated – often they won’t even let you do that during the encore. There were some really great moments, such as the costume changes at the end (I won’t spoil it), Summer’s reign of terror over her mother and basically any scene that had Preeya Kalidas in it.

I guess my main issue was that the film is one of my favourites and they failed to make me believe the kids’ band could really make it in the industry the way the film did. It’s all just a little twee, so I wouldn’t recommend going on your own, but it’s definitely one to take children to.

I will also mention, for anyone concerned about buying theatre tickets from them, that I booked School of Rock through lastminute.com and had no problems at all.  The ticket cost £16 (£16! For a West End show!) and I just printed my confirmation and collected my ticket quickly and easily when I got there. I actually got a proper ticket too, which often doesn’t happen when you book through a third party.

 

September Reads 2017.

By accident, last month had a bit of a children’s books theme. I continued with my re-read of the A Series of Unfortunate Events books, from The Ersatz Elevator all the way up to The Grim Grotto. Then, with some reluctance as I didn’t want the series to end, I moved on to The Penultimate Peril and then, of course, The End.

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 These two books were of course just as good as their predecessors. This series has been such a great ride: every book is unique and well-crafted and even though a lot of them follow the same pattern they never get dull. Even after rereading I still have no idea which are my favourites – they are all so good.

All the way through I was wondering how the series would end, because it was clear it couldn’t be a happy ending but I also couldn’t imagine that it would end with an unhappy ending. I think it was executed brilliantly, with just the right balance of happy and sad.

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